For Paul Celan, poetry was a matter of survival. Like stepping stones over the abyss, his tenuous, yet tenacious existence was sustained by words alone. As he said: “There is nothing in the world for which a poet will give up writing, not even when he is a Jew and the language of his poems is German.”
Candles, Snow & Time is inspired by three of his poems, and is written for an unusual, heterogenous ensemble. Spare, delicate, quiet, but with a certain sharpness, it makes prominent use of the bass flute, especially in the first movement and at the very end. Composed during a long Finnish winter, it carries traces of that spirit.